Ricardo Tubbs is urbane and dead smart. He lives with Bronx-born Intel analyst Trudy, as they work undercover transporting drug loads into South Florida to identify a group responsible for three murders. Sonny Crockett [to the untrained eye, his presentation may seem unorthodox, but procedurally, he is sound] is charismatic and flirtatious until - while undercover working with the supplier of the South Florida group - he gets romantically entangled with Isabella, the Chinese-Cuban wife of an arms and drugs trafficker. The best undercover identity is oneself with the volume turned up and restraint unplugged. The intensity of the case pushes Crockett and Tubbs out onto the edge where identity and fabrication become blurred, where cop and player become one - especially for Crockett in his romance with Isabella and for Tubbs in the provocation of an assault on those he loves.Written by
Although there were no opening credits in the theatrical release, the Unrated Director's Cut contains credits over a new sequence that opens the film. Once the credits are done, the film begins in the nightclub scene that opened the theatrical version. See more »
The unrated director's cut adds 7 minutes of unseen footage:
A 3 minute long boat race with opening credits
After the boat race there is a 1 minute scene where Crockett and Tubbs watch Detective Switek negotiate a deal with Neptune.
A line of dialogue from Alonzo (when hes driving) where he says "pick up some sh*t" has been removed
A line of dialogue where Crockett says "those are some skill sets" when looking at the satellite images of the speed boats has been removed
A brief, 30 second, scene where Nicholas calls Yero to set up the deal with Crockett and Tubbs
A scene from the theatrical cut when Crockett and Tubbs walk around an outside balcony at their hotel and walk in on Isabella and her men has been deleted. In the unrated cut, they go into their hotel room, they get a phone call, and they go to meet Montoya.
4 minutes of new footage over two scenes: After meeting Montoya, Tubbs calls Trudy to ask if everything is alright. She thanks him for some flowers that were sent to her. Tubbs tells her he didn't send them. After this phone call Tubbs and Trudy are in a diner talking about the flowers and how its part of being undercover.
A new shot in the airplane sequence where Tubbs identifies himself as flight zero-zero-zero and Zito in the other plane acknowledges him.
A 1 minute scene of Crockett and Isabella on a balcony when they are in Cuba. Isabella tells Crockett that she grew up in this house and how her mother was a surgeon.
The song "In the air tonight" performed by Nonpoint now plays leading up to the final shootout
When Isabella is coming over for the exchange before the shootout, someone saying "where you going bitch?" has been removed
A 1 minute scene after Crockett and Isabella leave the shootout, she hits and punches Crockett while he's driving. The car skids out and he ties her hands up.
A brief shot at the safe house when Crockett cut Isabella's hands free
The end credits have been shortened (because of the new opening credits) and Nonpoint's "In the air tonight" no longer plays. Now the credits play "One of these mornings" performed by Moby. (The Moby song is the second song during the theatrical credits)
While this is called 'Miami Vice' and has the same names as the characters from the TV show, thats where the similarities end. This is a no nonsense undercover cop thriller. There are no 'buddy cops', wisecracks, car chases, or O.T.T action, so the casual movie goer is going to be a little bemused by what they are seeing. But fans of Michael Mann's work will be in seventh heaven, because this has all the director's trademarks.
There's some stunning camera-work (A lot of it digital), and some beautifully rendered sequences in this and some explosive action (But don't go expecting 'Lethal weapon' style action.) The trailer park stand off with the white supremacists was my favourite scene and an abject lesson in how to put suspense on screen.
Performances are all very good, right down to the smaller parts and the plot demands attention. I found the films running time flew by. Its so refreshing to see a cop thriller for adults, with no silliness and one that doesn't insult the audiences intelligence.
Best film so far this year.
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