In the 1970s, a young trans woman, Patrick "Kitten" Braden, comes of age by leaving her Irish town for London, in part to look for her mother and in part because her gender identity is beyond the town's understanding.
A group of Irish college students are about to leave for the United States, where they've landed summer jobs on Long Island, New York. Working hard in the day and playing even harder at ... See full summary »
Every morning a man wearing a black suit and bowler hat leaves his suburban home. On his way to work, he passes a fancy-dress shop, where he is invited by a shopkeeper to try on an outfit. ... See full summary »
A young transwoman, Patrick "Kitten" Braden, comes of age in the 1970s. She leaves her Irish town, in part to look for her mother and in part because her transgender nature is beyond the town's understanding. She's taken in by a rock band, falls for the lead singer, has brushes with the IRA, is arrested by the London police, works in a peep show, and poses as a survey researcher for the phone company. Throughout, her nationality and her nature put her at great risk. In her search for her mother, she makes surprising discoveries of friendship and family. But, will she survive?Written by
Whilst the film is set in the late 1960s, early 1970s, the scene at the train station shows trains of the 21st century. See more »
[in needlework class]
And they're for your sister, Patrick?
Patrick "Kitten" Braden:
Mm-hm. She really needs a bit of glamour in her life, Mrs. Coyle. But then again... don't we all?
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With thanks to the people of Callan Co., Kilkenny See more »
I saw this on 10/2 at the NYFF-we got last minute tickets right up front. Neil Jordan was present at Q&A-an absolute treat. The film was simply wonderful from beginning to end--charming, emotionally satisfying, delicately nuanced and very powerful. The acting was sublime, as in all Jordan films. Cillian Murphy is so impossibly gorgeous and yet so fearless and skillful an actor, who uses his physicality to his supreme advantage. The Irish gang of three-Gleeson, Neeson and Rea, who usually appear in Jordan's films, were superb and touching as usual. There were wonderful casting touches--Bryan Ferry as a sicko, Gaivn Friday as a gay rockabilly, etc. The film was audacious, swerving mightily between broad comedy and grim tragedy. The most arresting elements were the amazing customes and the choice of 60s and 70s songs, something Jordan discussed in detail during the Q&A.
I urge all cineastes to catch this one-you will be amazed and deeply satisfied.
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