5.7/10
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4 user 3 critic

The Wyvern Mystery (2000)

After hastening the death of a tenant with whom he has been feuding, Squire Fairfield brings the dead man's young daughter to live in Wyvern Manor. Alice falls in love with one of the ... See full summary »

Director:

Alex Pillai

Writers:

Sheridan Le Fanu (novel) (as J.S. Le Fanu), David Pirie
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Cast

Cast overview, first billed only:
Naomi Watts ... Alice Fairfield
Derek Jacobi ... Squire Fairfield
Iain Glen ... Charles Fairfield
Jack Davenport ... Harry Fairfield
Aisling O'Sullivan Aisling O'Sullivan ... Vrau
Elaine Collins Elaine Collins ... Dulcie
Ellie Haddington Ellie Haddington ... Mrs. Tarnley
Marston Bloom Marston Bloom ... Alice's Father
Tim Preece Tim Preece ... Jim
Raymond Sawyer Raymond Sawyer ... Doctor
John Peters John Peters ... Reverend Cray
Anita Carey Anita Carey ... Mrs. Carew
Ursula Holden Gill Ursula Holden Gill ... Lily
Mark Hadfield ... Tom
Rachel Sanders Rachel Sanders ... Claire Shaw
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Storyline

After hastening the death of a tenant with whom he has been feuding, Squire Fairfield brings the dead man's young daughter to live in Wyvern Manor. Alice falls in love with one of the squire's two sons. She and Charles elope, incurring the wrath of his father who had lecherous intentions towards Alice. The newlyweds avoid the squire by living in an outlying estate where their baby is born. Charles is attacked by a mysterious woman who literally comes out of the woodwork, and their baby is hidden away in another home. Alice feels trapped, surrounded by secrets and mysteries and wondering who she can really trust. Written by Ron Kerrigan <mvg@whidbey.com>

Plot Summary | Plot Synopsis

Taglines:

Some family secrets can kill.


Certificate:

16 | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

UK

Language:

English

Release Date:

5 March 2000 (UK) See more »

Also Known As:

El misterio Wyvern See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.33 : 1
See full technical specs »
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Did You Know?

Quotes

Squire Fairfield: So, what news of London?
Alice Fairfield: Yes, I would love to hear.
Charles Fairfield: All the same, thieves everywhere, but the worst wear wigs and practice law.
Harry Fairfield: Well said Charley, there are more thieves in the courts than the filthiest alehouse.
Squire Fairfield: What do you want with lawyers?
Charles Fairfield: As little as possible.
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Soundtracks

Early One Morning
(uncredited)
Traditional
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Frequently Asked Questions

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User Reviews

 
Does It Matter If You Put Too Many Plot Points Into a Movie?
19 June 2009 | by jmbellinSee all my reviews

This is a movie that is a serious case for a rewrite. Too many plot points, yet jumping around too much made for a movie that just couldn't settle into its mood. Imagine taking the original Godfather novel and putting ALL of it into just one film. Part of what made the Godfather movies so enjoyable was the easy pace that allowed wonderful character development.

The Wyvern Mystery screenwriter couldn't decide between editing out choices and what to leave in, resulting in both too much detail and too many plot points occupying the time, leaving out real character development. At the same time, instead of wise choices for plot points, too few at critical times were left out, resulting in leaving out situational development. For example, at the beginning of the film, you see very young Alice Fairchild and then abruptly, you see the adult Alice. This left out not only her growth, but the growth in relationship between her and her guardian, the Squire. A richer establishment of their relationship would have added texture and resonance to what follows in the film. Yet, this relationship was almost totally missing other than the superficial aspects of it.

The cast performances are fine. The music and some of the shots are over the top, coming from a Masterpiece Theatre feeling to suddenly horror, Friday the 13th style. They might have worked if the film's tensions had been established better, but as over the top (for a BBC film, that is) as those terror sequences are here, they are unsupported by the writing.

Too bad. I really wanted to like this more. This leaves me wanting to read the book. Apparently, Charlotte Bronte, who penned Jane Eyre, was inspired by the author of the novel upon which this movie is based.


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