A psychiatrist (Gere) has an affair with his patient's sister (Basinger) who is married to a Greek mobster (Roberts). The mobster is a tyrant over his wife. The psychiatrist wants her to get a divorce, but she is afraid of what her husband would do. She has a medical condition that becomes apparent when she drinks. One night she drinks anyway and attacks her husband. The psychiatrist uses his professional pull to try and help her out of the consequences of her actions, but becomes uncertain if she is telling him the truth.Written by
Ed Sutton <firstname.lastname@example.org>
In the scene where Isaac confronts Heather in his apartment about giving Diana a gun, the position of Heather's hair changes back and forth throughout the whole scene. See more »
[on psychiatrist's couch]
I had the dream again. I'm arranging flowers, on a table, for a center piece. I decorate the flower pot with fancy paper. Feels like velvet. There are three different kinds of flowers. There are lilies, and there are... by the way, did you reach my sister?
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This film, if analyzed visually is quite interesting, and the addition of a distinguished Richard Gere and still- beautiful Kim Basinger doesn't hurt, either.
The sets are reminiscent of Hitchcock's "Vertigo"; there is even a scene with violets, right out of Freudian analysis, which Gere translates for his unsuspecting patient.
Uma Thurman is Basinger's younger sister, there is a murder accusation, Eric Roberts as the abusive husband, ends up being murdered. (This part was a bit too formulaic; mob ties again) but Roberts also gives a believable performance.
While you may have to ignore basic logic, if you enjoy the actors, this film is worthwhile. For some reason Basinger is better in under-stated roles, and Richard Gere transcends the material, and is interesting to watch. 8/10.
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