In 1839, the revolt of Mende captives aboard a Spanish owned ship causes a major controversy in the United States when the ship is captured off the coast of Long Island. The courts must decide whether the Mende are slaves or legally free.
Pete Sandich and buddy Al Yackey are daredevil aerial forest-fire fighters. Pete finds True Love with Dorinda but won't give up the job. When he takes one risk too many, Dorinda faces deep grief and cannot easily put her life back together.Written by
When Pete is doing CPR on the school bus driver, at first he's sort of sideways to the bus. In a next shot, his back is to the bus and the bus driver is in a different position, too. In another shot, Pete is facing the bus and asking the kids what their names are, and then his back is to the bus again. See more »
[after taking a distress call from the smoke jumpers]
Get on the radio to the Helibase. Have the choppers warmed up and standing by.
[heading for the radio set]
Libby Operations Shack to Helibase, come in.
Ted, those choppers are forty miles away. They fly at a hundred miles an hour.
Libby Operations Shack to Helibase. Come in.
We're twelve miles away. We fly at 220 miles an hour.
Air Traffic Controller:
Libby Operations, this is Helibase. We read you. Over.
Air Attack 63-Echo, this is the operations shack. We will be ...
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On the Blu Ray release, at the very end of the end credits, there is a warning. It reads, in quotation marks: "Caution: Inhaling of helium from balloons is dangerous, and can cause serious injury or death." See more »
Having just seen a re-cap of AFI's 100 most romantic films, I decided to go through my own video library to see how many I owned. Of course, starting alphabetically, I pulled out "Always". It wasn't on AFI's list. But it is on mine. I threw it in the VCR, having seen it at least 3-4 times before, and it was like watching it for the first time again.
To sum it up, I wept, from the opening to the closing scene. Rarely am I so touched by a film that it affects me so strongly as to push aside all rational thought and open up the flood gates. But I should expect no less from the man (Spielberg) who single-handedly keeps the tissue industry in the black. He knows how to tug those heart-strings. He's doesn't just play off one emotion; he goes for them all! Drama, action, humor, loss and love. And what he does in "Always", just like "Empire of the Sun", "The Color Purple", "E.T.", "Schindler's List", and "Saving Private Ryan"; is never let the rider off the coaster.
Unfortunately, at the release of "Always", he had not fully gained the respect of the industry enough to prevent this film from being pushed aside. For me, however, it's still right there up on top!
Kudos Spielberg , for reminding us that even your less-seen films were done w/ brilliance, integrity, humor and a more than just a few tears.
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