Wise-guy carnival barker Windy bilks a group of cowboys out of their money, gets caught and is forced into working off the debt on their ranch. He falls in love with Molly, the pretty owner... See full summary »
The road-show troupe of a top Broadway show go cross-country while taking the audience along on the on-stage scenes as well as what happens and is happening back stage of the production. ... See full summary »
Wallingford is a con-man whose specialty is taking money from suckers. His partners are Schnozzle, a pickpocket and car thief; and Blackie, who has played the game for years. Jimmy's latest... See full summary »
Tom Ward is just back from College and the only thing that he seemed to learn is how to be obnoxious and loud. He forgoes a bank job to work at Sutton and Company just to make time with Mary, McAndrews' fiancée. Mary warms to Tom, but his work is such that his job is history. After losing his father, it is up to Tom to support and care for his family. His attitude towards work changes, but not his attitude towards Mary.Written by
Tony Fontana <firstname.lastname@example.org>
M-G-M also released this film as a silent version at 1,759.30 m. See more »
The film begins in broad daylight, then just after the car avoids being hit by the train at the railroad crossing, the car is in a minor fender-bender with a tree which appears to take place at night, then in the next scene when the car pulls up in front of the house, it's daylight again. See more »
Oh, ho - what's taking? And I used to blow your nose for yuh when you had more sense than you got now... and you didn't have much then.
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This labored attempt at madcap comedy features William Haines as a reckless, hyperactive go- getter who drives everyone around him crazy when he comes home after college graduation and proceeds to paint the town crimson. Early on, he falls madly in love with a secretary (Leila Hyams) who works in the Wall Street firm of one of his father's colleagues and sets out to claim her for his own whether she likes it or not, making one outlandish attempt after another to wrest her from a rival (Francis X. Bushman, Jr.). This kind of devil-may-care behavior is more suited to the silent cinema; with spoken dialogue mixed in the slapstick sequences seem to go on forever. Such is the charm, skill and magnetism of Haines that he almost pulls it off, but he is working with thin material that is stretched way too far, and let's face it, his behavior is reprehensible. Marie Dressler lends a big blob of color as a dowager who becomes falling-down drunk after two sips of alcohol.
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